She's The Boss Written by Chuck Ranberg &
Anne Flett-Giordano
Directed by Philip Charles Mackenzie
=====================================================================
Production Code: 3.1
Episode Number In Production Order:
Original Airdate on NBC:
Episode filmed on
Transcript written on 18th July 2000
Transcript {mike lee}
[ACT ONE]
[Scene One – Apartment.
Daphne is eating breakfast at the table. The door opens and she
hears two dogs barking at each other. Martin drags Eddie through the
door]
Martin: Come on in! Come on, it's all over! He won't mess with you!
[closes door; to Eddie] Are you nuts? That was a Doberman!
Daphne: Oh dear, what happened?
Martin: Oh, get the first aid kit. Eddie got into a fight. We were
on the elevator with that Doberman from upstairs. Eddie took
a perfectly innocent sniff, and wham!
[Daphne brings the first aid kit from the powder room. Frasier
enters.]
Frasier: Morning, all. What's all this?
Daphne: Eddie was viciously attacked.
Frasier: Oh. [then] Is that coffee cake I smell?
Martin: Well, now that I look at it, it's just a scratch. But I
probably should take him to the vet's anyway.
Daphne: What are you doing up so early?
Frasier: Oh, the new station manager's taking over today. She wanted
to meet with all of us.
Martin: "She?" Oh, working for a woman, huh?
Frasier: Yes, why?
Martin: Well, it's tough on guys, taking orders from a woman. We
resent it!
Frasier: That's absurd. If I had trouble taking orders from a woman,
Frederick would never have been conceived!
[Doorbell.]
Daphne: My brothers couldn't stand taking orders from me. I was
forever telling them, "Billy, clean your room," "Reginald,
get your elbow out of the gravy," "Nigel, take that thing
back to the hospital, the whole house is full of flies!"
[Frasier opens the door to Niles.]
Frasier: Morning, Niles.
Niles: Hello, Frasier. Dad, Daphne. Uh, I can't stay, I just
wanted to ask a favor. Dad, can I borrow your gun?
Martin: Maris taking singing lessons again?
Niles: No. Our home security system is down for repairs, and with
no electric gates I'll just feel safer if I'm packing heat.
Frasier: Oh, for heaven's sake, Niles, you don't even know how to
pack a lunch.
Niles: Dad, please. Maris is a wreck ever since she found out our
entire neighborhood watch is wintering in Palm Beach.
Martin: Forget it, you don't know the first thing about guns.
Niles: Dad, please.
Martin: No! I don't believe in civilians having guns.
Niles: This isn't fair! Maris's mother gave her a gun!
Martin: Well, then Maris's mother can clean the mess up after she
accidentally blows your brains out.
Niles: Dad, now you're talking nonsense. Maris's mother has never
cleaned anything in her life.
CRASS APPEAL
[Scene Two – KACL
Frasier, Gil, and Bulldog are sitting in the hall outside the
manager's office. Roz comes in.]
Roz: All right, all right, listen up everyone, I've been working
the office grapevine, I've got the scoop on the new boss.
Gil: Is she going to fire me?
Bulldog: Hey, first things first! [to Roz] Is she baggable?
Roz: Forget it, Bulldog, she'd have you for breakfast.
Bulldog: Right, like I ever stick around that long.
Roz: Anyway, the word is that she's like this psycho
perfectionist. Everyone at her last station was scared to
death of her. She's kind of becoming my idol.
Bulldog: Hey, what if she hates sports? I need this job. I just
promised my mom a new pacemaker. Wait, think I could get
her to believe I said "pasta maker?"
Frasier: Now, look, there's no reason for us to give in to our
insecurities. We all do good, solid shows. We hardly even
know this woman, and already we're painting her as a
heartless Medusa!
[Father Mike comes out of Kate's office, stunned.]
Mike: She said my ratings are down. She said I'm not "hip."
Frasier: Father Mike, are you all right?
Mike: The little thug fired me!
Frasier: I'm so sorry.
Gil: Did she say anything else?
Mike: She said, "Send in Frasier."
[Frasier looks panicked. Roz puts a hand over her face.]
[Manager's Office
Kate Costas, the new station manager, is still moving into her
office. Boxes sit under empty shelves. She's talking on the phone.]
Kate: Listen, tell the movers I want the couch directly in front of
the bookcase.
[Frasier comes in.]
Kate: Uh-huh. [to him] Oh, have a seat.
[Frasier sits in a chair in front of the desk.]
Kate: [into phone] Uh-huh. Yeah, yes. No, not there! In front of
the bookcase!
[Frasier gets up, moves the chair to a bookcase in the far corner,
and sits down.]
Kate: Yes, tell her I got somebody here! Could we move the furniture
later?
[Frasier gets up, moves the chair back to its original place, and
sits.]
Kate: Could we do that? [hangs up] Dr. Frasier Crane! Kate
Costas.
Frasier: [shaking hands] Kate, what a pleasure.
Kate: Likewise. I've been listening to the tapes of all your
shows. I love what you're doing.
Frasier: Really? Well, thank you very much! I like to think of my
show as a haven for the tempest-tossed in the maelstrom of
everyday life.
Kate: Wow. You really talk that way. Anyway, your ratings are
very good. But I still think we can do better. Any ideas?
[She goes to a bookcase and starts unpacking a box.]
Frasier: How to improve my show? That is a tall order. Uh . . . oh,
wait, you know, I was thinking of playing classical music
before my intros. Let's say, perhaps, uh, Bartok's Concerto
for Orchestra in D Minor.
Kate: It's too highbrow. I mean, I love classical music, but to
most people it's a big snore. Oh, incidentally, Bartok's
Concerto is in C.
Frasier: Are you sure?
Kate: Positive. I put myself through college working at a
classical station. Let's talk about advertising. You've
got a great face. I want to see it on t-shirts, I want to
see it on park benches, I even want to see it on Frisbees.
Everybody in Seattle should be popping it, wearing it,
sitting on it!
Frasier: Wonderful. You know, I hate to nitpick, but I was certain
that concerto's in D. I was a music minor at Harvard.
Kate: It's in C. It was commissioned by Serge Kosivinsky in 1943
for the Boston Symphony Orchestra, and since then it's been
recorded over thirty times—each time, in C.
[She gives him a "Checkmate" smile.]
Kate: Also, I think you should start doing theme shows. Devote a
whole show to people having extramarital affairs, or devote
a whole show to people with aberrant sexual practices.
Could you give me a hand with that box over there?
Frasier: Of course. [lifts it onto her desk and starts handing her
things from it] Uh, Kate, you know, that advertising thing.
It's a very good idea. But that-these theme shows, uh, it's
a less good idea. You might even say a worse idea.
Kate: Why is that?
Frasier: Well, uh, I am a doctor, and I'd hate to have the serious
work I do be tainted by commercialism.
Kate: But you don't mind the Frisbees.
Frasier: [hands her a "Golden Microphone" award] Well, I don't want
to be entirely uncooperative. [hands her another] It's just
that, well, you know, I've been in the radio game for some
time now, [a third] and I think I've learned enough about
broadcasting, as they say, [a fourth] to know what it is
that makes my show [a fifth] a good show. [lifts the last
one ] My God, you've won six Golden Mike awards?
Kate: Aren't you sweet to notice. Finally, I would like you to
start giving priority to the juicier calls.
Frasier: That's called pandering!
Kate: [lifting out a] And that is called a Peabody Award!
Frasier: Well, what exactly do you expect me to do? Say to a caller,
"Listen, Bob, I'm sorry you lost your job, but
unemployment's a snore! Why don't you go sleep with your
best friend's wife and call in on Monday when it'll be
Infidelity Day on the Frasier Crane Show!"
Kate: I really know what I'm doing here. The psychiatrists at my
last station went national.
Frasier: Well, you know, I'd rather stay local if going national
means sucking at the sump-pump of sensationalism!
Kate: Well, I'm the boss, Doc. So, pucker up!
Frasier: Listen, lady, I'm not changing my show. Unless you're
willing to explain to the owners why you fired one of your
highest-rated hosts, well then there's nothing you can do
about it, is there?
[Kate smiles at him.]
[Scene Three – Radio Booth
Frasier is doing his show with Roz. The lights in the hallway are
off.]
Frasier: Well, we're coming up on 3 A.M.
[END OF ACT ONE]
[ACT TWO]
A LONG NIGHT'S JOURNEY INTO DAY
[Scene Four – KACL
Frasier is finishing his show.]
Keith: [v.o.] I got to disagree with your last two callers. I'm in
the same line of work, and I think that what we do is very
important! People depend on us! [bell dings] I got to go,
Doc, it's time to powder the jelly donuts. [hangs up]
Frasier: Well, I hate to cut short this enthralling symposium, but
perhaps we could hear from some non-bakers for a change?
Roz: Wrap it up, will you? We're finally done.
Frasier: Oh, thank God. Stay tuned for the news, weather, and
sports. This is Dr. Frasier Crane, yadda-yadda-yadda, bye.
[He goes off the air. Roz comes into his booth.]
Frasier: Really stunk up the airwaves with that one, didn't we?
Roz: Frasier, I want you to flash forward to tonight. It's
sometime after midnight. Dennis Abbott and I have just had
a glorious meal at Le Ralee. Dennis has just asked me back
to his penthouse apartment to see his priceless collection
of silk sheets. And I lean forward and whisper, [throaty
whisper] "I can't. I have to go to work in an hour." What
is wrong with this picture?!
Frasier: Well, for starters, you at Le Ralee. It's a two-week wait.
Roz: So is Dennis Abbott! Frasier, we have got to get our old
time slot back!
Frasier: Don't worry, Roz, we will she just moved us to break our
spirit.
Roz: Well, she can saddle me up and ride me around the coffee
room! I can't do this again!
[They leave the booth. Kate is waiting in the hallway.]
Kate: Good morning.
Frasier: Oh, hello.
Kate: Enjoying your new time slot?
Frasier: As a matter of fact, I found it invigorating! Didn't you,
Roz? Remember that woman who called in, uh, you know, with
the delusions of grandeur? Couldn't understand why nobody
liked her.
Kate: Well, I hope you explained to her that it's not important
that people like her, as long as they respect her.
Frasier: Oh yes, respect is important. So is self-respect.
Kate: Oh, yes, yes, but some people—and this is so
unfortunate—can't tell the difference between self-respect
and pig-headedness.
Frasier: Yes, but those people are usually rigid little demagogues
who don't know the difference between the kind of respect
that is earned and the kind of respect that is irrespective
. . . of what others expect.
Kate: Isn't it sad when bad things happen to good sentences?
Frasier: I think I made myself clear.
Kate: Well, I really do have work to do. I've got to find
somebody for your old time slot—now that it's free.
Frasier: Good luck!
[Kate leaves.]
Roz: Nice going, Frasier, now she's never gonna give in.
Frasier: Steady, Roz. She may have been able to intimidate people in
other situations, but here at KACL she'll find that we are
not a bunch of spineless twits!
[Bulldog sticks his head out of a door.]
Bulldog: [whispering] Hey! Is she gone?
[Scene Five – Apartment
Martin and Daphne are eating breakfast.]
Martin: You don't want this bacon, I'm giving it to Eddie.
Daphne: You know that bacon's not good for him.
Martin: Eddie! Hey, Eddie! Come here, boy!
[Eddie runs in. He's wearing a plastic cone on his neck that
encircles his entire head. Martin feeds him a rasher of bacon.]
Martin: And can't we take that stupid thing off him?
Daphne: No! The vet said if he scratches the scabs, they'll never
heal. And I have noticed that if you sit him next to the
telly, Channel Five comes in a lot clearer.
Martin: Look at him, he's humiliated!
[From the apartment above, a dog barks.]
Daphne: Yeah, well, it doesn't help that that bully upstairs keeps
rubbing it in.
[Eddie barks toward the ceiling.]
Martin: You tell him, boy!
[Frasier comes out of his room in his dressing gown.]
Frasier: Oh, for God's sake, I am trying to get some sleep! I asked
you to keep that dog quiet, and instead you outfit him with
a megaphone! In the last thirty-six hours I haven't had so
much as a nap, and I've got to be back at the station by 2
A.M. [stares at Eddie] Eddie, listen carefully. By the time
this day is up, one of us is going to sleep.
[Eddie ducks his head.]
Daphne: Oh, don't worry, Dr. Crane, I'll take Eddie for a walk. And
as far as your problem at work goes, if you want my opinion—
Frasier: DON'T! I've had my share of women's opinions for the week,
between the station's new Reichschancellor and Roz's
incessant whining! As far as I'm concerned, your entire sex
can put a sock in it!
[He goes back to his room.]
Martin: Boy, you'd never let me get away with a comment like that.
Daphne: [gets up and goes to the door] Oh, even the best of us can
get a bit cranky when we're overtired. All Dr. Crane needs
right now is a little peace and quiet. Eddie?
[She sticks two fingers in her mouth and blasts a shrill whistle.]
Frasier: [o.s.] Damn it!
[Daphne opens the door and runs into Niles, who looks weirdly
overconfident.]
Niles: Morning, Daphne. Where are you off to?
Daphne: Oh, I'm taking Eddie for a walk.
Niles: By yourself?
Daphne: Yes, of course. Why not?
Niles: It's dangerous out there. You never know when you might need
. . . [pulls a small revolver from his briefcase] one of
these.
Daphne: A starter's pistol? Oh, I don't think so, Dr. Crane. But
thanks for the thought.
[She goes into the hall, laughing.]
Niles: How did she know it wasn't a real gun? It fooled the
servants, even the ones who spent years fleeing juntas.
Martin: You bought a starter's pistol?
Niles: Yes, you see, as long as Maris thinks it's real, it makes her
feel secure, but this way no one can get hurt.
[As if to punctuate the word "hurt," he accidentally pulls the
trigger, firing a blank shot that sends him hopping up onto the couch
like a frightened cat. Even Martin is shaken. Frasier rushes in.]
Frasier: What the hell was that?! Was that a gunshot?!
Niles: Morning, Frasier. Just getting up?
Frasier: "Just getting up?!" Are you out of your mind?! A gun just
went off in here!
Martin: Niles bought a starter's pistol.
Niles: And there's no need to get snippy. Accidents happen, you
know.
Frasier: Oh, I'm sorry, was I snippy? I didn't realize it was too
much to ask that there not be GUNPLAY IN MY LIVING ROOM!
Martin: You know, Niles, you shouldn't have any kind of gun, really.
Come to think of it, now that Mr. Sunshine's home during the
day, maybe I shouldn't either!
Frasier: Just relax. It won't be long before my loyal fans protest,
and the afternoon slot is once again home to the
compassionate and lovable Dr. Frasier Crane. [opens the
front door] Now get the hell out, both of you!
Martin: All right, maybe I can catch up to Daphne in the park.
Niles: I'll cover you.
[Martin and Niles go out the door.]
[Scene Six – KACL
Frasier, wearing a grimy sweatsuit, is in his chair. A cup-holder
with four cups of coffee sits next to him. Behind him, Roz, wearing
a slinky evening dress, takes one.]
Frasier: Hello, Seattle, this is Dr. Frasier Crane. I'll be taking
your calls for the next four hours. Roz, who's on the line?
Roz: How should I know? I just got here.
[Frasier pushes the button himself.]
Frasier: Hello, Line Two, you're on with Dr. Frasier Crane.
Mark: [v.o.] Uh, hey, Dr. Crane. It's Mark.
Frasier: Hello, Mark. I'm listening.
Mark: O.K. Uh, well, I work at this all-night mini-mart, and, um,
I've been watching myself on the video camera, and the
camera-me is doing things I don't approve of.
[Frasier puts a hand on his face. Roz listlessly goes into her
booth.]
[Cut to: Later
Frasier and Roz are both fast asleep in their chairs. A woman
[Phyllis] is on the line.]
Phyllis: [v.o.] People think insomnia is a laughing matter, but it's
hell. If I don't get some sleep soon, I'll just—I'll go
crazy! You've got to help me, Dr. Crane? Dr. Crane? Hey,
I'm talking here!
[Frasier and Roz wake up.]
Frasier: What?! I'm listening.
Phyllis: So what do you think I should do?
[Frasier looks at Roz. She's shrugs to say she's stumped. He
decides to wing it.]
Frasier: Well, you know, sometimes these things seem clearer in the
light of day. My advice is to sleep on it.
Phyllis: Is that some kind of a joke?! To make fun of the
insomniac?!
Frasier: Oh, no—
[She hangs up. Frasier sighs. Roz signals him to go to commercial.]
Frasier: Oh, oh, and now for a word from, um, uh, ah, [shuffles some
papers on his console] I forget, I think they sell paint.
[He goes to commercial. Roz comes into the booth.]
Roz: You hear that whooshing sound? It's my career going down
the toilet.
Frasier: Oh God, Roz, I don't think I've helped a single person
tonight.
Roz: Helped? You'll be lucky if you don't get sued! You told a
longshoreman to come out of the closet, and a gay guy to
spend more time on the docks!
Frasier: Well, you're the one who's supposed to keep track of who's
on what line!
Roz: [losing it] O.K., let me make it easy for you: freaks!
Freaks on Line One! Freaks on Line Two! Freaks everywhere!
Frasier: [grabbing her] Roz, Roz, Roz! We shouldn't get mad at each
other. This is all Kate's fault.
Roz: You're right, you're right, she's ruining us! And there's
nothing we can do.
Frasier: Yes, there is! If we're gonna go down, we're gonna take her
down with us! We've got one hour left. If she wants
raunch, we're gonna give her more raunch than she ever
dreamed of! Are you with me, Roz?
Roz: Just pump up the volume and call me Kitty!
Frasier: O.K.!
[Roz goes back into her booth and grabs some SFX carts. Frasier goes
back on and speaks in a raucous shock-DJ voice.]
Frasier: We're back, Seattle. And in accordance with new station
policy, we are going to be pandering to the lowest human
instinct. In other words, who wants to talk about SEX?!
Sex, sex, sex, sex, sex, sex, sex!
[Roz plays a cart. There is the sound of a whip snapping.]
Frasier: YEAH! I want to know who's having sex! How you're having
it! I want to know if you're having it right now!
Roz: Look, Dr. Crane, the lines are hot! [sultry voice] Really
hot!
Frasier: Thank you, Kitty. [punches button] Hello, Caller. What are
you wearing?
Nancy: [v.o.] Nothing. I'm naked.
Frasier: Hey, that's a great idea! Let's all get naked! Hey, I'm
getting naked right now!
[He reaches down and pulls off his shoes.]
Roz: While Dr. Crane strips, our new station manager would like to
know if you prefer to be the spanker, or the spankee.
Nancy: Oh, definitely the spanker.
[In his booth, Frasier is stripped down to his underwear.]
Frasier: Well then, hop in a cab! I'm not wearing any pants!
[Roz whoops as Frasier twirls his pants over his head.]
WHILE YOU WERE SLEEPING
[Scene Five – Kate's Office
Frasier, still wearing his sweatsuit, is sitting in Kate's office.
She leans against her desk, listening to a tape of Frasier's
performance.]
Frasier: [on tape] While Roz laces up her leather bustier, this is
Dr. Frasier Crane, KACL, all talk, all night, all naked!
[Frasier looks a little sheepish. Kate stops the tape.]
Kate: Explain.
Frasier: As George Bernard Shaw once said, "there are two tragedies
in life. One is not getting what we want, and the other is
getting it."
Kate: You know full well this is not what I wanted! You did this
to vex me! And you succeeded. And it was not Shaw, it was
Oscar Wilde. Did you ever open a book at Harvard?
Frasier: You know, one of these days, you're going to misquote
someone, and I'm going to land on you like a sumo wrestler!
Kate: All I wanted, all I wanted was a lousy little theme show
once or twice a week!
Frasier: Oh, yeah! "Frasier Crane takes a leering look at
infidelity!"
Kate: No, not a leering look! Just a good look. At the pain of
infidelity, at what it does to families, at what it does to
children, at what it does to the fabric of society, and this
is just off the top of my head. But, no! You are such an
arrogant gasbag, so used to being cock-of-the-walk around
here that you can't stand still for one minute and listen to
a perfectly valid suggestion from somebody else!
Frasier: [blood up] And you are such a smug egomaniac that your
entire self-image would shatter like a cheap mirror if you
ever had to admit that you had made a mistake!
[Kate's jaw drops.]
Frasier: You are a classic case of neurotic narcissism, and a first-
class SMARTY-PANTS! [pause] You can go ahead and fire me
now.
Kate: Yes, I could do that, yeah. But I'm not going to.
Frasier: Did you listen to the whole tape?
Kate: Oh, yeah. But, unlike you, I put what's good for the
station above my personal feelings.
Frasier: Well, that's-that's awfully big of you. Guess that means
I'll be moving back to my old time slot.
Kate: Guess again, Captain Midnight! If I give you back your old
time slot without your making a single concession to me,
that would completely undermine my authority. Being a crack
shrink, surely that's within your grasp.
Frasier: Grasp this: if I don't get my old time slot, I quit!
Kate: Grasp this: you do, and I'll sue you for breach of contract!
Frasier: O.K., then it's a stalemate! If we don't want to remain
entrenched in these positions forever, one of us had better
think of something!
Kate: Yes, one of us better.
[They sit down again. Silence as they ponder as hard as they can.]
Frasier: I've got it!
Kate: [hits her chair arm] Damn!
[Outside the office, Gil and Bulldog walk to the door.]
Bulldog: So, we're together, right?
Gil: Absolutely.
Bulldog: We're not letting her push us around any longer, nope!
Gil: You do the talking. I'll stand behind you and burn holes
through her with my "You call this a Hollandaise sauce?!"
glare.
[Frasier storms out of the office, Kate following him.]
Frasier: I don't care what you say, I like theme shows! And I'm
going to do them, starting this Friday with "Frasier Crane
takes a look at the consequences of infidelity!"
Kate: You do, and I'll make you start that show with classical
music! Bartok's Concerto in C, I don't care how much you
hate it!
Frasier: Damn you!
Kate: It's my way, or no way.
Frasier: [crushed] You win. Bartok it is.
[He leaves the hallway.]
Kate: What do you two want?
Bulldog: Nothing.
Gil: Keep up the good work.
[They leave. Kate smooths her jacket and smiles, authority
restored.]
[Scene Z – Apartment
Martin hits the television, trying to restore the picture. Daphne
picks up Eddie, still in his cone, and places him on top of the TV in
a sitting position. Martin watches the picture, telling her how to
adjust Eddie for best reception.]
Legal Stuff
This episode capsule is copyright 2000 by Nick Hartley & Mike Lee.
This episode summary remains property of Frasier, Copyright of
Paramount Productions and NBC. Printed without permission.
